{"id":417,"date":"2024-07-23T22:47:39","date_gmt":"2024-07-23T20:47:39","guid":{"rendered":"https:\/\/ilf.org.pl\/51\/?page_id=417"},"modified":"2024-07-23T22:47:39","modified_gmt":"2024-07-23T20:47:39","slug":"jestem-postacia-fikcyjna","status":"publish","type":"page","link":"https:\/\/ilf.org.pl\/51\/jestem-postacia-fikcyjna\/","title":{"rendered":"Jestem postaci\u0105 fikcyjn\u0105"},"content":{"rendered":"\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-style-default\" style=\"grid-template-columns:auto 25%\"><div class=\"wp-block-media-text__content\">\n<p><br>Re\u017c: Arkadiusz Bartosiak<br>Prod.: Polska 2024, 75 min<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>&#8222;Jestem postaci\u0105 fikcyjn\u0105&#8221; to dokumentalny portret Andrzeja Seweryna. Nie jest to jednak film biograficzny. Kamera towarzyszy bohaterowi, obserwuj\u0105c jego \u017cycie na przestrzeni jednego roku. Dzi\u0119ki temu otrzymujemy wielowymiarowy portret wybitnego aktora, kt\u00f3ry mimo swojego wieku wci\u0105\u017c pracuje na najwy\u017cszych obrotach. Gra, re\u017cyseruje, prowadzi teatr.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"716\" src=\"https:\/\/ilf.org.pl\/51\/wp-content\/uploads\/2024\/07\/jestem-postacia.jpg\" alt=\"\" class=\"wp-image-418 size-large\" srcset=\"https:\/\/ilf.org.pl\/51\/wp-content\/uploads\/2024\/07\/jestem-postacia.jpg 500w, https:\/\/ilf.org.pl\/51\/wp-content\/uploads\/2024\/07\/jestem-postacia-209x300.jpg 209w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Re\u017c: Arkadiusz BartosiakProd.: Polska 2024, 75 min &#8222;Jestem postaci\u0105 fikcyjn\u0105&#8221; to dokumentalny portret Andrzeja Seweryna. Nie jest to jednak film biograficzny. Kamera towarzyszy bohaterowi, obserwuj\u0105c jego \u017cycie na przestrzeni jednego roku. Dzi\u0119ki temu otrzymujemy wielowymiarowy portret wybitnego aktora, kt\u00f3ry mimo swojego wieku wci\u0105\u017c pracuje na najwy\u017cszych obrotach. Gra, re\u017cyseruje, prowadzi teatr.<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-417","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/pages\/417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/comments?post=417"}],"version-history":[{"count":1,"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/pages\/417\/revisions"}],"predecessor-version":[{"id":419,"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/pages\/417\/revisions\/419"}],"wp:attachment":[{"href":"https:\/\/ilf.org.pl\/51\/wp-json\/wp\/v2\/media?parent=417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}